“There’s No Villains in This Film”: Joshua Oppenheimer on The End and Value of Self-Deception

After fearlessly interrogating man’s capacity for evil in Oscar-nominated documentaries The Act of Killing and The Look of Silence, filmmaker Joshua Oppenheimer returns with The End, a bunker-bound musical set at the end of the world. Despite that unexpected logline, the core themes Oppenheimer grapples with in his work––i.e. the nature of absolution and the…

The Best Documentaries of 2024

The fight for Palestinian livelihood, repatriation, the Argentine gaucho community, a pair of England’s greatest directors, Chinese textile mills, a legendary artist’s final performance, the frontlines of the war on Ukraine––just a few of the subjects and stories this year’s documentaries brought us. With 2024 wrapping up, we’ve selected the non-fiction features that left us…